Her doting mom and dad are teaching her to navigate a world in which disorientation is the rule and as you watch, you know she’s fated to lose her parents, her memories, and even large parts of her identity. We meet the short-term-memory-impaired Dory as a big-eyed little fish - her eyes are as large as her head. They have the biggest, busiest, and best sleeve in the business.
Yes because directors Andrew Stanton and Angus MacLane and their stable of sterling writers and artists have miracles up their sleeve. Finding Dory leaves nothing to chance: It opens sweety-cute, it ends sweety-cute. No because it feels in its opening scenes like a sequel, made for no burning creative reason, whereas Inside Out, Up, Wall-E, and Finding Nemo were riskier works that could have bombed as easily as been boffo. Is Finding Dory, the new Pixar movie, all that, as you’ve no doubt heard? No and yes.
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